LINES
1, 2, 3
1, 2, 3
Lisa Jeschke
Lines 1
(1)
to sum up, at this point:
where are we?, in relation to
(2)
up, in the morning! (command) to
vertical lines, in relation to the ground
(3)
down, in the evening! (command) to
horizontal lines, in relation to the ground
(4)
congratulations to the sun,
the [ ] sun
(5)
to/the
if/in
(6)
the mind
the chest
(7)
the sun
not if in,
the sun
(8)
what
part
(9)
violence is golden!
Lines 2
Plants
share
excellent
qualities.
But even more the sun
we keep waiting for
THE DIFFERENCES BETWEEN
1) PLANTS AND 2) GAP, constructed,
but
a fly can run across –
but but
and and
and and
sad
like a happy cow on the meadow,
waiting with patience, endurance.
A world in which everyone and everything is vertical,
lines, 90°.
People,
like magnets,
people, drawn
to
fail to think
death!
Lines 3
An exactly post-urban ex-airfield.
The sun is up.
[ ] traverse the runway,
thereby failing not to / to not, do not! //////////////////////////
Two Poems by Sarah Kelly
aperture
that’s dust
through the shaft there
hanging along time strands
as tinsel
settles to a down
pressure just
enough load
must close in
on
or measure softer
sometimes glitter
is harsh
and grey’s weight
a calmer
I suspend in
thoughts of my time
with too much
to think to time it
to be cared
we talk on
passing quick and
with a smile a
whim as if seconds
don’t truly bend
for us
as if we
cannot touch
defiance in velocity-
dust
grammared and
gravitated out
put presence on your shoulder
trying to be the
mind that remembers
whilst making sure
that doesn’t
obstruct the being of
making being now
nor nothing
this is all in
service of
those nonentities made
plush made pure
re-wire the shaded places
put an S.A.D shaped
L.E.D next to a spot of damp
in that corner
kneel around your soles
kneel past it the glimmers
and quote servitude
if we're all about
geographies of limits
upon vastness
the we is all reply
in this as
sure as the question
quarrels a deliver, its
deal with the
progressed or
the protesters
I hold you at
our edges
because you stretch as fiercely
and from this place
took all
take that they may need
evening
through the draft there
close in
on blocking out breeze by bitter breeze by
ink for brittle
stained pad-knee-lap let us move with the windows
where those corners get
a natural light
come to standing
a habitat drawn
from fingers scored
in powder
plush and porous
lean closer
to freezings in film
empty over we
your grains
and watch as
I smooth and
wash them
straight
negate the multicolour
neon battering
blind strive for
a cool monotone
a left
an alone
return and
return to what
was unused
talk on
as you lay
watched overlay
become out on your
situate breathe at
glass
and watch that too
put some hands
under a mesh
and practice the
exit strategy
bruising of your spine
as you fall in and
out of
these dustings
of time say
‘held’
bring things back
to the room
___________________________________________________
I’m trying to write you something to summarise your mouth
I’m trying to
write you
something to summarise
your mouth
mouth-moves
in phosphorescent glue
traceable therefore
returnable to
that is the logic we had
to have to
that is the language I knew
no shape
all glow
3 poems by Nat Raha
sonnet
brow patter / shore’s wet creep diffuse a
constituent ppt absented, earth tones our assumption
reciprocated: fallacies in collective usage &
how / opted the stove still vascular the
present assembly –
polite misses queue
& nights vague betray
betray redundant logic I,
strikethrough dedicate to give
humour to doubt fracture
wondering dinner now
mute to glance the
tear of skirt by speechact sense ware & embellish laugh
whisky lips to neck by dust & novem
in clasping shard cognitives saving
is only politik a
baring ratio we are still down on, patter’d with a year plural
helix twined, respires the only heat I could ever claim:
white grape serotone
to swim in audio–
& blade the only neck I know by taste
retinas to know solely mutual AM, sleeve
by particles present for this air defracts a missing,
girl vocal confers worn synth / frict lips
grain environment.
& this itself a
distraction for carving the stat out
hold swing ambiguous / choke categoric :
misfortune deduced this a physical universe I have witnessed its very electrons hurtling blue lucid w/ the fallacy of our meeting skins
to kick sake back against soil / wet quarry
sonnet
to know breath / modulated
is the most warmth & sourced
condensate, beating corporeal the
actual matter amouric
diffuses skyward to
form mare’s tail : present yet
so barely
& the laugh you exalt
choke potentials:
frequencies inhabited by
vox stretch constituent, husk slight &
limb pressed to slender, exotherm vital in
colloidal freeze surround to find acclimatised the
further evident / source fiest
you
left seduction on the oceanic curve &
temperature slopes
graver. plea matt hands
& suspecting,
gradient half-life out to slope:
the adenosine caress
method surface / miscorrect harsh